In addition, he will also explore the blacklight poster movement and touch on the stylistic diversity in fashion, from both hippie and Haute Couture perspectives. It will include examples of poster work done for Bill Graham’s Fillmore Auditorium, and Chet Helm’s Family Dog, as well as other venues in the city. Gary Westford will provide a brief overview of the psychedelic music and poster movements in San Francisco, the artists who made them, and their artistic influences.
Black light poster free#
Paulus Lecture Hall, Willamette University College of Law Free and open to the public Lecture Behind the Beyond: Psychedelic Posters and Fashion in San Francisco, 1966-71 Presented by Gary Westford Friday, Jat 5 p.m. In conjunction with the Behind the Beyond exhibition, a wide variety of lectures, films, gallery talks, as well as a children’s art camp have been planned. This exhibition opens on May 13 in the Print Study Center and continues through October 22, 2017. Schnitzer and His Family Foundation exhibition explores the Pop and Op art movements and how they significantly influenced t he development of psychedelic posters and fashion. The 60s: Pop and Op Art Prints from the Collection of Jordan D. This exhibition is part of 3 exhibitions that collectively celebrate the 50th anniversary of the Summer of Love.Ĭatch more psychedelic fun with the major exhibition Behind the Beyond: Psychedelic Posters and Fashion, 1966-71, opening June 3 and continuing through August 26, 2017, in the Melvin Henderson-Rubio Gallery and the Maribeth Collins Lobby. Westford says, “Within environments where blacklights were installed and where music was played, the movement of dancers who wore this clothing became dynamic and kinetic poetry in motion.” The fashion industry also used fluorescent inks on clothing, as exemplified by the exhibition’s Op art Permapress synthetic dress made by Alice of California.
To that end, the subject matter of these posters included colorfully idealized visions of wild and idyllic “psychedelic” landscapes images of handsome young hippies rock stars such as Jimi Hendrix, The Doors, and Janis Joplin Hells Angels bikers Jesus Christ the peace and earth movements Native American, African American, and Mexican American heroes and artfully complex non-objective geometric prints that referenced Op Artists’ use of high-intensity color contrasts. These popular posters were marketed across the United States and were often designed in celebration of the liberation and freedom that was, in part, associated with the utilization of psychedelic drugs and the search for new or “alternative” realities. The blacklight poster industry took off in studios all over the country, but was primarily centered on the West Coast. In darkened rooms lit with these special lights, the blacklight posters appeared to glow and magically radiate their own light. In the late 1960s, poster artists experimented by using printing inks that fluoresced under blacklight bulbs that emitted ultraviolet light. Organized by artist Gary Westford and drawn from his personal collection, Turned On!: The American Blacklight Poster, 1967-71 offers viewers an opportunity to experience the fun of stepping into a 60s style blacklight room featuring 10 posters and an Op art dress. Turned On!: The American Blacklight Poster, 1967-71 May 13 – JStudy Gallery
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